URSA Broadcast is an advanced Ultra HD broadcast camera that works with your existing HD or Ultra HD B4 lenses so you can shoot HD today and switch to Ultra HD when you’re ready!
You get professional broadcast controls, built in ND filters, non stop 12‑bit recording of ProRes and DNx files to dual SD UHS‑II or CFast cards, and new extended video range for stunning broadcast ready shots that can go straight to air.
URSA Broadcast is two cameras in one. Use it for production work or add a Blackmagic URSA Studio Viewfinder to turn it into a live studio camera with remote control and built in colour corrector!
CineStore Part # CINEURSAMWC4K • Manufacturer Part # CINEURSAMWC4K
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The Blackmagic Design URSA Broadcast Camera is a field and studio production powerhouse. Featuring a native B4 mount for standard 2/3" broadcast lenses means that the URSA Broadcast will be at home on a studio sled behind a box lens just as much as it will be on the shoulder of a news coverage camera operator. The sensor itself features UHD 4K resolution which can facilitate native UHD recording, or downscaled HD recording for productions that don't require the extra resolution. Video can be recorded to UHS-II SD cards or CFast 2.0 cards, with the latter capable of recording raw Cinema DNG files for further flexibility in post-production.
The camera really comes into its own when combined with the separately available URSA Mini Shoulder Kit and EVF. VCT-14 compatibility plus the ability to go shoulder-mounted when you need to is an important aspect of this camera. When shoulder-mounted, a connected B4 lens's grip and the EVF form points of contact for comfortable and stable shooting. Additionally, a 20-pin lens communication port allows for the URSA Broadcast to communicate with B4 lens servos.
The body itself is designed to be intuitive, with buttons and switches intelligently placed for muscle memory and on-the-fly adjustments. ISO/gain, shutter speed, and white balance are all available on classic toggle switches, while a traditional ND filter wheel lets you reduce the light hitting the sensor for full control over your image. Connections for audio in, video out, plus timecode/genlock input are available on industry-standard connectors, enabling them to interface with professional gear right out of the box.
When you're not in the thick of a shooting day, open the LCD display to access the deeper camera menus and adjust global settings. While standard REC. 709 color is available for broadcast compatibility, extended video mode offers an optional look that has high contrast, yet takes advantage of the 12-stop dynamic range present in the sensor for smoother highlights without the washed-out look common in picture profiles with high dynamic ranges.
If you're setting up the URSA Broadcast for live studio production, separately available fiber converters and studio viewfinders are available. The fiber converter provides all the studio connectivity over a single fiber optic cable, with further adjustments and connections available on the converter itself. Even if your studio produces HD content, the URSA Broadcast only needs to be the first step towards a UHD workflow. When the rest of your studio is UHD-compatible, the URSA Broadcast will be ready for your next UHD production.
Two Cameras in One
The URSA Broadcast was designed to function equally well as a studio camera, or as an ENG/EFP camcorder for both HD and UHD 4K productions. With the separately available shoulder-mount kit, the URSA Broadcast can slot into a studio sled or be used atop an operator's shoulder, ENG-style.
Standard Media and Formats
Media recorded by the URSA Broadcast should need no transcoding. Apple ProRes and Avid DNx can be recorded straight to UHS-II SD cards or CFast 2.0 cards. Just offload the media from the cards, and you can go straight to editing. You can even record lossless or compressed 12-bit CinemaDNG raw files for high-quality programming and post-production workflows. With dual slots for each media type, URSA Broadcast gives you the option for redundant or relay recording. When the first card is full, recording automatically continues onto the next card, so you can swap one card while continuing recording on the other.
B4 Lens Compatibility
While the 4K sensor used in the URSA Broadcast is larger than the familiar 2/3"-type used with traditional B4 glass, a high-quality optical expander built into the mount enlarges the image circle for full sensor coverage. Many high-quality HD lenses can be used at resolutions well beyond HD, all the way up to 2.5K or 3K. Because B4 lenses are par-focal and have a very wide depth of field, the image stays in focus as you zoom in and out, so you don't need to chase focus as you shoot. That lets you work much faster because you don't need to change lenses or refocus between close-up, medium, and wide shots, which is perfect when you're following the action in fast-paced scenarios.
For productions only requiring HD resolutions, the 4K image coming off the sensor can be downscaled prior to recording for smooth 1080p or 1080i image rendering. Since the entire sensor is scanned, the full dynamic range of the sensor remains intact and no aliasing artifacts will be introduced.
Optical ND Filters
Spin the ND filter wheel to access 1/4, 1/6, and 1/64 ND filters. These filters are designed in accordance with the URSA Broadcast's sensor, ensuring minimal difference in colourimetry. The filters also block IR wavelengths to prevent IR pollution when reducing visible light with NDs. ND filter values can be displayed as either a fraction, ND value, or stop reduction on the LCD or in the separately available EVF.
Like traditional broadcast cameras, the URSA Broadcast features familiar external mechanical switches and controls that give you direct access to the most important camera settings. The controls are laid out logically, making them easy to remember and locate by feel, so you can adjust settings without having to look at the buttons or take the camera off your shoulder. You also get a 4" foldout touchscreen for either monitoring or controlling the camera via software interface that provides full redundancy for all the external controls and camera functions. On the operator's side of the camera, a dedicated backlit LCD shows essential information, such as current shooting frame rate, shutter angle, aperture, white balance, gain, iris, battery level, and audio meters, at a glance. Additionally, full-sized standard connections for audio via XLR connectors, SDI via BNC connectors, and broadcast power input via a standard 4-pin XLR 12V DC connector are available.
Slow Motion Recording
Whether you're shooting a sporting event or breaking news story, the URSA Broadcast has you covered for slow motion. To shoot slow motion video, the camera records at higher frame rates and plays back at standard video frame rates. You can set up your preferred high-speed frame rate using the camera's on-screen menus, and then switch between standard sync speed and off-speed frame rates with the touch of a button on the side of the camera. URSA Broadcast can capture full-resolution Ultra HD at up to 60 frames per second.
Built-In Audio Recording
URSA Broadcast has a high-quality microphone and professional audio recorder built-in so you don't have to bring a separate recorder. The built-in stereo microphone can be used for recording scratch audio, or you can connect professional microphones using the two XLR mic inputs. The XLR connections have 48V of switchable phantom power so you can plug in everything from shotguns to wireless clip-on mics. With two microphone inputs, you can record a reporter in the field wearing a lapel or handheld mic, while also capturing ambient sounds from the second input. You can also record the same microphone to both channels using different levels to avoid clipping from unexpected loud noises in the field. URSA Broadcast also features external knobs for adjusting levels and onscreen meters so you can trim audio levels even when shoulder-mounted.
Adaptable for Different Lenses
URSA Broadcast features an interchangeable lens mount so you can easily swap the included B4 lens mount for an EF, PL, or even F mount. That means if you're just starting out you can use low-cost, high-quality EF photographic lenses and then change to more expensive lenses when you're ready. Using an EF, PL, or F mount lens is a fantastic option when permanently rigging and mounting cameras in locked-off positions on set, so you don't tie up broadcast lenses for camera positions without operators. Because the lens mounts are easy to change, you can also quickly reconfigure cameras from job to job. URSA Broadcast comes with a B4 mount already installed, and you can also purchase optional PL, EF, and F mounts separately as needed.
URSA Broadcast features the advanced Blackmagic OS with an intuitive user interface that lets you use simple tap and swipe gestures. Plus, you get many features from the URSA Mini digital film camera if you need to do more advanced programming work. You can set up the camera, enter metadata, and more. Plus, the software duplicates all the physical buttons and switches on the camera so you get full redundancy. The unique heads-up display puts commonly used functions at your fingertips so you can tap on a control and quickly adjust without having to navigate through complex menus. The digital slate makes entering metadata fast with its built-in dictionary, predictive text entry, and on-screen keyboard.
Flexible Power Options
Right off the bat, the URSA Broadcast features a 4-pin XLR industry-standard power connector that works from 12 to 20V for external power supplies and battery packs. The standard power connector also means it's easy to use the camera with existing power supplies and batteries. V-mount and Gold mount battery plates are available separately for compatibility with a wide array of batteries from different manufacturers.
Effective Sensor Size
2/3 inch sensor size when using 4K B4 mount (Actual sensor size 13.056mm x 7.344mm)
B4 2/3 inch
Electronic control via 12‑pin broadcast connector. Control possible via EF mount pins when using optional URSA Mini Pro EF Mount.
Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Off‑speed frame rates up to 60p.
Built in ND Filters
Four position ND filter wheel with clear, 2‑stop, 4‑stop and 6‑stop ND filters.
Focus button turns on peaking, auto focus available using compatible lenses with focus servo.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.
LCD capacitive touchscreen.
Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Touchscreen menus on 4 inch screen. Push buttons for other controls. 2 assignable shortcut keys.
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
Total Video Inputs
1 x SDI
Total Video Outputs
1 x SDI, 1 x SDI Monitoring.
1.5G, 3G, 6G, 12G.
Analog Audio Inputs
2 x XLR switchable between mic, line and AES digital audio. Phantom power support.
Analog Audio Outputs
1 x 3.5mm headphone jack, supports iPhone microphone for talkback.
2 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
USB Type‑C for software updates.
Integrated stereo microphone.
Built in Speaker
1 x mono speaker.
SD Video Standards
HD Video Standards
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 Interlaced output via SDI 1080i50, 1080i59.94, 1080i60
Ultra HD Video Standards
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424 Level B, SMPTE 2081‑1, SMPTE 2082‑1
SDI Audio Sampling
48 kHz and 24 bit
2 x CFast for 4K RAW and ProRes recording. 2 x SD UHS‑II card slots for HD and Ultra HD recording.
Can format cards to ExFAT for Windows and Mac or HFS+ for Mac (file systems).
DNxHD 220X, DNxHD 145, Apple ProRes 4444 XQ QuickTime, ProRes 4444 QuickTime, ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime and ProRes 422 Proxy QuickTime, CinemaDNG RAW, CinemaDNG RAW 3:1, CinemaDNG RAW 4:1.
Blackmagic SDI Control Protocol, iPad control via Bluetooth, 2 x 2.5mm LANC for lens and record control.
TALKBACK AND TALLY
SDI Channels 15/16 and iPhone headset.
Live Tally Indicator
Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.
2 x CFast 2.0
2 x SD UHS‑II cards
2.5 inch SSD via optional URSA Mini SSD Recorder
Storage rates based on 30 frames per second.
3840 x 2160
Apple ProRes 444 XQ - 250 MB/s
Apple ProRes 444 - 165 MB/s
Apple ProRes 422 HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
Apple ProRes 422 LT - 51 MB/s
Apple ProRes Proxy - 22.4 MB/s
1920 x 1080
Apple ProRes 444 XQ - 62.5 MB/s
Apple ProRes 444 - 41.25 MB/s
Apple ProRes 422 HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
Apple ProRes 422 LT - 12.75 MB/s
Apple ProRes Proxy - 5.6 MB/s
DNxHD 220X - 27.5 MB/s
DNxHD 145 -18.2 MB/s
DNxHD 1920x1080 and 1920x1080i with either film, video or extended video dynamic range.
Apple ProRes 3840x2160 and 1920x1080 with either film, video or extended video dynamic range.
Lossless CinemaDNG RAW, RAW 3:1 and RAW 4:1 with film dynamic range at 3840x2160.
URSA Mini Operating System.
Blackmagic Camera Setup.
Mac 10.14 Mojave, Mac 10.15 Catalina or later.
Windows 8.1 or Windows 10
1 x External 12V power supply.
External Power Input
1 x 4‑pin XLR port for external power or battery use.
1 x 12‑pin Molex connector on rear battery plate.
Rear camera mount compatible with industry standard V‑mount or gold mount battery plates.
Blackmagic URSA Viewfinder
Blackmagic URSA Studio Viewfinder
Blackmagic Shoulder Mount Kit
Blackmagic Camera Fiber Converter
Blackmagic Studio Fiber Converter
Interchangeable Lens Mount for EF, PL or F mount lenses
Blackmagic URSA Mini Mic Mount
Blackmagic URSA Mini SSD Recorder
Blackmagic URSA VLock Battery Plate
Blackmagic URSA Gold Battery Plate
255.90 x 149.85 x 146.89 mm
0° to 40°C (32° to 104°F)
-20° to 45°C (-4° to 113°F)
0% to 90% non‑condensing
URSA Broadcast body
Turret dust cap
B4 lens mount
SD card with software and manual
12 Month Limited Manufacturer's Warranty.